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Hoodfeminism: On Chiraq [Hoodfeminism.com]

 

Eleven years ago–seven years after the murder of our brother–our sister nearly became a Chicago homicide statistic.

She was out with friends at a neighborhood restaurant when someone in her crew got in an argument with someone else. That someone else left the restaurant, returned with a gun, and attempted to murder everyone within 200 feet. The bullet shattered her femur. She had extensive physical therapy. Her mother, desperate to escape the violence, moved her to Milwaukee several months later.

The day after the shooting, my sister made it to Page 3 of the Chicago Tribune. She was the unidentified 14 year-old girl. Not much else was written about it. My sister was lucky, if you could call it that. We don’t know what happened to the gunman. It’s possible a more sinister fate may have befallen him, and person responsible for murdering our brother.

By now, you’ve read dozens of reviews and hot takes about Spike Lee’s latest film. Some mainstream critics have praised it, going as far as to say that Spike has given Chicago the “raucous, despairing, yet faintly hopeful tribute it deserves.”

It’s important to point out here that most of the people raving about Chiraq are not from here or have barely traveled south of Roosevelt Street.



[For more of this story go to http://hoodfeminism.com/]

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I really wonder what Lee was trying to get from combining Lysistrata with Chicago violence.  For the most part, people haven't read anything about the Peloponnesian war, and probably aren't that familiar with Aristophanes' humor style.  Besides trying to create a connection between a 25 year old war fought throughout the Mediterranean 2400 years ago and the ongoing violence in an urban state I just don't see what the benefit could be.  The union of Greek comedy with present day tragedy necessarily forced the story into the setting and the plot towards the ancient storyline. 

I still want to see it, but I definitely am not expecting a documentary or expose as much as an interesting Clueless-type reinvisioning of a classic reinvisioning. 

Also, did you write this? Maybe I'm not following the way things are posted here but it reads like a blog post, but it's simply a shared story from another site that is a repost, right? It seems that it would be helpful to post the actual author for entries that aren't written by yourself. Or maybe that's not what this blog is for. 

Thanks for sharing. 

 

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